The Living Consequences

Tomorrow, the Boston Globe offers a review of Traces of the Trade: A Story from the Deep North, entitled “Facing up to a family’s past as slave traders.”

The review is occasioned by the screening of the film tomorrow night at the Museum of Fine Arts in Boston, as part of the Human Rights Watch International Film Festival. The film will be screened at 8:00pm, and afterward, Katrina Browne and I will participate in a question-and-answer period, along with editor Alla Kovgan and co-producer Elizabeth Delude-Dix.

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We’ve seen a spate of reviews, articles, and blog posts discussing Traces of the Trade in recent days, motivated largely by upcoming screenings at the Human Rights Watch International Film Festival and the forthcoming national broadcast premiere on PBS.

Stephen Holden of The New York Times calls the film a “far-reaching documentary” whose “implications … are devastating.” He also observes that “the old saying that ‘behind every great fortune there is a crime’ echoes silently throughout the movie, which extends that notion to implicate an entire society.”

The Hartford Advocate describes the film as a “well-researched, candid and intelligent exploration” of the role of the slave trade in our nation’s history. The reviewer also calls the documentary “gut-wrenching and intense” and “powerfully moving,” and concludes that this “glimpse into the still-raw wounds of slavery” is “perhaps the best way to honor the professed democratic ideals of the founding fathers.”

Jessica Mosby, writing for the Women’s International Perspective, heaps praise on the film, calling it “powerful” and “incredibly well executed,” and its discussions “intense” and “very candid.” She goes on to argue that the documentary “starts an important and often uncomfortable dialogue about race,” and that “the film is truly a microcosm for the larger debate that Americans need to have about race and responsibility.”

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